Professional players, spectators, and media outlets acknowledge the violence in rugby games. Still, they distinguish it from other illegal “bad” forms of violence, research from ESSEC Business School reveals, to better understand the ethics of violence.
In France, professional rugby matches caused 2,208 injuries in three years, averaging four injuries per game. Yet matches in the final rounds of French Rugby Union League competitions regularly attract up to 80,000 spectators.
Delphine Dion, professor of Marketing at ESSEC, co-authored a study based on in-depth interviews with consumers and professional players, photo-elicitation, and social media posts, to find out how violence on rugby pitches is justified.
Dion and her colleagues found that consumers, players, and reporters dramatise rugby matches as war scenarios rather than civilian ones. As a result, teams are represented as bands of warriors. Translated into this alternative reality, the game takes place where exerting and receiving violence is accepted and celebrated.
Simultaneously, grotesque live performances and funny songs undercut the drama of violence on the pitch, making it easier to process.
“There is a tension between celebrating and mocking the war simultaneously, meaning violence can be perceived as fake or funny. Far from questioning violence, these practices are a way of avoiding criticism and strengthening the worthiness of violence,” said Dion.
Consumers and professionals justify violence by referring to its conformity to the game’s rules. Therefore, as long as violence occurs within the game’s rules, it’s fine.
Cameras and sportscasters aestheticise remarkable actions, that is, the actions and interactions that they want to make more spectacular and dramatic. They camouflage players’ pain and injuries by making pain taboo and hiding the injuries themselves. They produce the illusion of a non-violent game through the way they stage games.
“Our findings enable us to offer some recommendations to all firms that participate in competitive sports organisations, such as governing bodies, producers, broadcasters and sportscasters, to avoid or limit the justification of violence,” said Dion.
Dion recommends that media and competition organisers avoid making war references to rugby, and provide content on injuries, consequences, rule changes, and protective equipment, to create a more truthful and less glamorous portrayal of violence on rugby pitches.
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